The Conic Sections in Polar Coordinates

David Arnold

Mathematics Department

January 26, 1999

Abstract

This activity is an interactive study of the polar form of the equation for a conic section. Readers should be familiar with polar coordinates and triangle trigonometry. This activity is also a vehicle for the introduction of the Geometer's Sketchpad, though no prior experience with the Sketchpad is assumed.

The Definition

We begin by introducing the focus-directrix definition of the conic section. The directrix is a line. The focus is a point, usually chosen so that it does not lie on the directrix.

Let's begin with a focal point at the origin of our coordinate system and a vertical line k units from the origin, as shown in Figure 1.

Figure 1

Our task is to locate all points P such that the distance from F to P is a constant multiple of the distance from P to the directrix, the line x = k. In symbols, we want to locate all points P satisfying the relation

FP = e PD,

where e is a proportionality constant called the eccentricity of the conic section, and D is the point on the directrix closes to the point P. For example, in Figure 2, the ellipse is the set of all points P satisfying the relation FP = 0.53 PD.

Figure 2

In Figure 2, the eccentricity of the ellipse is e = 0.53, a number less than unity (e < 1).  All ellipses have eccentricity less than one.

For purposes of discussion, we need to draw the auxiliary line segment PB and label some existing line segments, angles, and points. This we do in Figure 3.

Figure 3

Let r and q represent the segment FP and the angle BFP, respectively. Because triangle BFP is a right triangle,

FB = r cos q.

Next, segment PD has length equal to the difference of segment FC and FB; i.e.,

PD = FC - FB.

Consequently,

PD = k - r cos q.

Thus, FP = e PD becomes

r = e (k - r cos q).

Solving this last equation for r, we arrive at the equation of the conic section in polar form; i.e.,

r = ek/(1 + e cos q).

The Geometer's Sketchpad

The Geometer's Sketchpad is one of the really fine pieces of software that seems to have the right mix of technology and pedagogy. You can obtain a copy of the Geometer's Sketchpad from www.keypress.com. Demonstration software is also available for trial use. Printing and saving are disabled in the demonstration software, so if you want these capabilities you will have to order the full-featured version of the Geometer's Sketchpad.

When you start Sketchpad, you obtain a window similar to that in Figure 4.

Figure 4

The menus across the top of the Sketchpad window contain extensive commands for creating dynamic, geometrical objects. The toolbar to the left of the window contains some of the most commonly used construction tools. The red arrow is the selection tool, used for selecting objects in the window. Next comes a tool for constructing points, then a circle tool, and a line-making tool (actually several line-making tools). If you click and hold the mouse button over the line tool, you'll note three choices of line objects: lines, line segments, and rays. Last, the hand tool is used to place text on the Sketchpad window and is useful for labeling objects.

Before continuing with this activity, take some time to play with the tools and the menu items, enough to familiarize yourself with the Sketchpad environment.

The Basic Sketch

Select the line segment tool and create a line segment, as shown in Figure 5. Use the point tool to construct a point on the segment, near the position C indicated in Figure 5. Use the selection tool to select the segment, then select Construct-->Point at Midpoint to create the midpoint of the segment. Note: We use the notation Construct-->Point at Midpoint to indicate to our readers to first select the main menu item Construct, followed by the sub-menu item Point at Midpoint. At this point, your sketch should resemble that in Figure 5.

Figure 5

We are now going to change some of the labels in Figure 5. Select the hand-tool from the toolbar at the left of the Sketchpad window. Click and drag each label in the sketch into a more favorable position. Next, double-click the label A with the hand-tool. Change the label in the resulting dialog box to the letter F, because this is the point we will use as the focus of our conic section. Similarly, change the letter D to the letter M, a much more satisfactory letter to represent the midpoint of the segment FB. Your sketch should closely resemble that of Figure 6.

Figure 6

Select the circle-tool from the toolbar. Click the circle cursor on the focus point at F and drag a circle about the size of that shown in Figure 7 (You can resize the circle later by dragging the point E). Select the point-tool from the toolbar and construct a point on the circle. Select the hand tool, double-click the label of the newly created point on the circle, and change the label to the letter Q, as shown in Figure 7.

Figure 7

Click and hold the mouse on the line tool, then slide and select the ray-drawing tool. Select the selection arrow-tool from the toolbar. Select and highlight the point F by clicking it with the selection tool. Depress and hold the shift key while clicking the point Q with the selection arrow-tool. This should result in both the points F and Q being selected and highlighted. Choose Construct-->Ray to construct a ray at F that emanates outward through the point Q, as shown in Figure 8. You may need to adjust the position of the label Q with the hand-tool.

Figure 8

Click and hold the mouse on the line tool, then slide and select the line-drawing tool. Select the selection arrow-tool from the toolbar. Select and highlight the point B by clicking it with the selection tool. Depress and hold the shift key while clicking the segment FB with the selection arrow-tool. This action should select and highlight both the point B and the segment FB. Select Construct-->Perpendicular Line. This should create a line through B, perpendicular to the segment FB, as shown in Figure 9.

Figure 9

Finding the Eccentricity

The point C in Figure 9 is a point on the conic section. At least, that's our plan. Consequently, FC = e CB; i.e., the ratio FC/CB equals e, the eccentricity of the conic section. We need to calculate this ratio, but first we must measure the segments FC and CB. Select the selection arrow-tool. Click the point F with the selection arrow-tool, then depress the shift key and click the point C. This should highlight both points, F and C. Select Measure-->Distance to calculate the distance between the points F and C. In a similar manner, calculate the distance between the points C and B. When this is accomplished, the measures of the segments FC and CB should be printed on your screen, similar to that shown in Figure 10. Note: The actual numbers and units may differ, due to your personal configuration of Sketchpad. Don't worry about numbers and units; everyone will have different numbers at this point. Continue to the next step.

Figure 10

Select Measure-->Calculate to open the calculator, as shown in Figure 11.

Figure 11

Single-click the measure FC in Figure 10, followed by the division symbol in the calculator, then single-click the measure CB in Figure 10. This should produce the calculation shown in Figure 12.

Figure 12

Clicking the OK button in the calculator places the result of this calculation in your Sketchpad window, as shown in Figure 13. The ratio FC/CB equals e, the eccentricity of our conic section. Note: Again, don't worry about the number you get for your ratio. Plunge ahead with the activity.

Figure 13

Computing the Radial Length

Recall that the polar form of the conic section is

r = ek/(1 + e cos q).

Since e = FC/CB,  k = FB, and q = angle BFQ,  this polar equation for the conic section becomes

r = ( (FC/CB) FB )/(1 + (FC/CB) cos (angle BFQ).

Use the selection arrow-tool to select point F, then depress the shift key and select point B. Select Measure-->Distance to calculate the length of segment FB (note that this length equals k), as shown in Figure 14. Next, use the selection arrow-tool to select point B. Depress the shift key and select points F and Q, in that order. This should select and highlight the points B, F, and Q. Select Measure-->Angle to measure the angle BFQ, as shown in Figure 14. Note: Again, your numbers will differ. Don't worry about them and continue with the activity.

Figure 14

Select Measure-->Calculate to open the calculator. We must now calculate the radial length r. This is accomplished as follows:

  1. Click the left parenthesis in the calculator.
  2. Single-click the ratio FC/CB in Figure 14.
  3. Click the multiplication symbol in the calculator.
  4. Double-click FB in Figure 14.
  5. Click the right parenthesis in the calculator.
  6. Click the division symbol in the calculator.
  7. Click the left parenthesis in the calculator.
  8. Click the 1 on the calculator keypad.
  9. Click the addition symbol in the calculator.
  10. Click the ratio FC/CB in Figure 14.
  11. Click the multiplication symbol in the calculator.
  12. Select the cosine function from the drop-down Functions list in the calculator.
  13. Single-click angle BFQ in Figure 14.
  14. Click the right parenthesis in the calculator.
  15. Click another right parenthesis in the calculator.
Your calculator window should resemble that shown in Figure 15.

Figure 15

Click OK to place the radial length computation in the Sketchpad window, as shown in Figure 16. Note: Again, don't worry about getting different numbers. Plunge ahead with the activity.

Figure 16

Note that we have enlarged the window and used the selection arrow-tool to drag our calculations to the right-hand side of the window in Figure 16. This makes for a tidier sketch.
 

Transforming

Now that we have calculated the radial length r, we want to translate the point F along the ray FQ a distance r.
  1. First, use the selection arrow-tool to select point B. Depress the shift key and select points F and Q, in that order. This should select and highlight the points B, F, and Q. Select Transform-->Mark Angle "B-F-Q." You will see an arrow flash momentarily from ray FB to ray FQ, indicating that the angle BFQ is marked.
  2. Next, use the selection arrow-tool to select the point F. Depress the shift key and select the point Q. This should select and highlight the points F and Q, in that order. Select Transform-->Mark Vector "F->Q."  You should see an arrow flash momentarily from the point F to the point Q, marking the vector FQ.
  3. Use the selection arrow-tool to select and highlight the radial length r calculated earlier. That is, select ( (FC/CB) FB )/(1 + (FC/CB) cos (angle BFQ) in Figure 16. Leave this selection highlighted and select Transform-->Mark Distance. This marks the polar distance we wish to translate the point F.
  4. Use the selection arrow-tool to select the point F. Select Transform-Translate. This action opens the Translate dialog box. First check the button By Polar Vector. Then check the buttons By Marked Angle and By Marked Distance, as shown in Figure 17.


Figure 17

Click OK and note that the point F has been translated the correct distance along the ray FQ. Double-click the label of the translated point with the hand-tool, then rename the translated point as P. This point P satisfies the relation FP = e PD. The result is shown in Figure 18.

Figure 18

Dynamic Geometry

Now for the really fun part. Use the selection arrow-tool to drag the point Q around the circumference of the circle and watch the action of the point P. It is important that you make one complete revolution about the circle. Otherwise, you will not see both branches of the hyperbola traced by the point P. Note: Remember, the ratio FC/CB is the eccentricity. In Figure 18, the point C lies to the right of the midpoint. Therefore, the ratio FC/CB is larger than unity and the conic is a hyperbola.

Next, use the selection arrow-tool to select the point P. Select Display-->Trace Point. Select Display-->Color and choose a color other than black (What's your favorite?). Now use the selection arrow-tool to again drag the point Q around the circumference of the circle. Note how the point P leaves a colored trace as it moves. In this case, the eccentricity is larger than one, so the trace of the point P is the hyperbola shown in Figure 19. Note: As you perform the trace, the point P leaves a trail of of circles representing points. When you finally release the mouse button, the points are replaced by a hyperbola, a curve passing through the trace points. Clicking anywhere in the window will erase the trace, allowing you to repeat the experiment.

Figure 19

Locus and Animation

It gets better. Use the selection arrow-tool to select the point P. Depress the shift key and select the point Q and the circle, in that order (Note: Order is extremely important here.). Select Construct-->Locus. Again, the eccentricity is greater than one, so the locus of the point P, as the point Q travels about the circle, is the hyperbola shown in Figure 19.

Use the selection arrow-tool to select and highlight the point P. Select Display-->Trace Point. This toggles off the tracing of point P. Select the point Q, then depress the shift key and select the circle, in that order. Select Edit-->Action Button-->Animation. From the drop-down list boxes, select point Q moves one way, around Circle c1, normally. When you click the OK button, an animation button is created in your sketch, as shown in Figure 20.

Figure 20

Double-click the Animate button and watch the animation. Point Q travels about the circle, while the point P travels along the hyperbola.
 

Further Exploration

The theory says that the conic drawn depends on the eccentricity.
  1. If the eccentricity is less than one, the conic will be an ellipse.
  2. If the eccentricity equals one, the conic will be a parabola.
  3. If the eccentricity is greater than one, the conic will be a hyperbola.
Now you know why we created the point C on the segment FB. It controls the eccentricity. Use the selection arrow-tool to move the point C to various positions on the line segment FB and observe how your sketch changes.

Figure 21

Pressing the OK button creates a Move button in your sketch, as shown in Figure 22.

Figure 22

Double-click the Move C->M button and watch the point C jump to the point M. Note that the locus is now a parabola because the eccentricity equals one.

Formatting

You can hide parts of your sketch that you don't want your readers to see. Simply select the object you want to hide and select Display-->Hide <Object>. Use this utility to hide objects in Figure 22 that you find distracting to the concepts you are trying to portray.

Homework

Save your sketch as conic.gsp in your home directory. See me in my office for a grade when you have finished with this activity.